Canon EOS R6 Mark II Mirrorless Camera and 24-105mm f/4-7.1 Lens - Accessory Kit

Kit Includes:
Canon EOS R6 Mark II Mirrorless Camera with RF 24-105mm f/4- 7.1 IS STM Lens
SanDisk 64GB Extreme PRO 200MB/s
ULTIMAXX Large Gadget Bag/Case
ULTIMAXX BLOWER
ULTIMAXX High Speed SD/SDHC/Micro SD Reader/CARD READER
ULTIMAXX Microfiber Cleaning Cloth
ULTIMAXX STARTER CLEANING KIT

Canon EOS R6 Mark II Mirrorless Camera
The Full-Frame All-Rounder
Matching strong photo performance with apt video capabilities, the Canon EOS R6 Mark II is a versatile mirrorless body for the multimedia creator. An updated 24.2MP CMOS sensor pairs with updated processing for more improved AF, impressive 4K 60p 10-bit video, and faster overall performance. Also, the camera body has been updated for more intuitive handling, including a redesigned top plate for easier access to different shooting modes.

24.2MP Full-Frame Sensor and DIGIC X Processing
Updated Full-Frame Sensor
Hitting a sweet-spot in terms of resolution, the R6 Mark II incorporates a new 24.2MP CMOS sensor that's versatile for both photo and video applications, performs well in low-light conditions, and yields striking and accurate colors.

DIGIC X Processor
Borrowed from the R3, the R6 Mark II's upgraded processing suits the multimedia nature of the camera. Capable of processing high speed bursts as well as high-res 4K video, the DIGIC X supports up to 40 fps continuous shooting with a silent electronic shutter or 12 fps with a mechanical shutter, with AF and AE readings before each frame. There is also a 30 fps RAW Burst mode, which offers pre-release capture to record moments that happened up to 0.5 -sec before you press the shutter.

Also, improved processing leads to improved low-light performance, with the sensitivity range now extending from ISO 100-102400, and expandable to ISO 204800 for working in very difficult lighting conditions.

UHD 4K Video Recording
Beyond stills, the R6 Mark II's sensor also offers high-res UHD 4K 60p internal video using the full width of the sensor and the ability to work with 10-bit sampling with Canon Log 3. A 6K recording area can also be used for oversampled 4K shooting at 30p for improved sharpness, reduced moiré, and lower noise. And, for slow-motion playback, 180p recording is supported at up to Full HD resolution.

HDR-PQ recording is possible, too, for in-camera HDR production and external recording, via the micro-HDMI port, which supports a clean 6K output at up to 60 fps. Also, unlimited recording times are possible, too, and the R6 Mark II features both mic and headphone ports, as well as a multi-function shoe for wide accessories compatibility.

External 6K Raw Recording
Using the micro-HDMI port, raw video recording is possible when paired with a compatible external recorder. ProRes RAW up to 6K 60p is possible using the full width of the sensor as well as 3.7K raw recording with a crop.

Autofocus and Image Stabilization
Dual Pixel CMOS AF II
Advanced Dual Pixel CMOS AF II system features 1053 automatic AF points that cover the entire sensor area and provide notably fast, responsive, and precise focusing performance.

This phase-detection focusing system also has enhanced subject detection and tracking, benefitted by deep learning technology, with the ability to intelligently recognize people, animals, and vehicles. Subject tracking will automatically lock onto these subjects and maintain sharp focus while shooting, even throughout burst captures and when recording video.

Dual Pixel AF II's low-luminance limit focuses down to an impressive - 6.5 EV for accurate focusing even in nighttime conditions.

Sensor-Shift Image Stabilizer
An In-Body Image Stabilizer (IBIS) corrects up to 7 stops of unwanted camera shake when shooting handheld, helping to shoot handheld in low-light conditions and reduce shake when recording videos. This 5-axis system can be also used in conjunction with lenses featuring optical image stabilization to compensate for up to 8 stops of camera shake depending on the specific lens in use. Additionally, Movie Digital IS uses the optical and sensor-shift stabilization methods along with digital IS to help acquire steadier footage while moving.